HIGHVOLTAGEEXTRACTS 0 24 - AN OVERVIEW

Notions of looking and voyeurism are resolved spatially and architecturally in “Good For Me.” With this sequence, swooping lines develop a style of peephole outcome that reveals Mundt in two unique poses: adopting the posture of Toulouse-Lautrec’s model and tugging at her belly. This gesture, which seems in other paintings from the exhibition